worldlittoday · Ezili Şiir by Cengiz Sinan Çelik
outside the wind gently flips its hair
moving toward the vastness of the blue
in sky-abyss
outside the water in its riverbed
flows i…
Poetry
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Only I never came back I was not going to be long —W. S. Merwin 1 I live where Lady Gaga files her taxes where the police do as they please where this paleface multitud…
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Tonight she asks for enchiladas, and my sister suggests pizza. I think they must want to die. I’m ashamed to feel this. I roll the shade of blame down the living room wall, screening their lives f…
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The girls who were talking in the corner not long ago are just now starting to get up (grabbing jackets from the coatrack) taking up their umbrellas again and a forgotten wallet that the tallest…
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Anna 1 “Now I know how faces disappear, how terror nests under eyelids,” wrote Anna, Anna Akhmatova. Can you understand such suffering? While I read her, I lie stiff on the bed. She, Anna, has…
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Photo by Pop & Zebra on Unsplash In your white vest and blue flip-flops, you wandered about in the fierce sun, a can of black paint in your hand. We read your family history on lamp-posts: your…
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Andrew Wyeth, Cranberries (1966), Collotype, 45.7 x 30.5 cm When I pushed the door there was no one in the room. In the background, an open window and a disquieting afternoon light falli…
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Wassily Kandinsky, Composition #218 (Two Ovals) (1919), Oil on Canvas, 107 × 89 cm, Saint Petersburg, The Russian Museum I glimpsed the oases of childhood with gingerbread houses and matryos…
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Workshop of Rembrandt van Rijn, Young Woman at an Open Half-Door (1645), oil on canvas, 102.5 x 85.1 cm, Mr. and Mrs. Martin A. Ryerson Collection, The Art Institute of Chicago / CC0 Public…
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Ghislaine Lejard, l’ombre (2020), 6.5 x 7.5 cm, torn paper glued on cardboard / Reproduced by permission of the artist I tame shadows each day I descend further into their world and they d…
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“I Have Nothing but Exhaustion the Size of a Forest” after Sirkka Turkka I have nothing but exhaustion the size of my daughter’s pupils, when she brings her face close to my mouth, ex…
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Photo by Annie Spratt on Unsplash The Bread of Letters I Who will blame the trees when they loose their leaves? who will accuse the sea of abandoning shells on the sand? I, mothe…
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A detail from Merikokeb Berhanu’s (Ethiopia/US) Untitled LII (2020), acrylic on canvas, 60 x 48 in. / Courtesy of Addis Fine Art When floods rose, the tree branches thinned, carrying nothin…
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Merikokeb Berhanu (Ethiopia/US), Untitled LII (2020), acrylic on canvas, 60 x 48 in. / Courtesy of Addis Fine Art From the watchtower, you utter the suburbs I grow up in, ripe for the benef…
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A detail from Daniela Yohannes (UK/Guadeloupe), Black Oil (2019), Acrylic on Linen, 116 X 89 cm / Courtesy of Addis Fine Art We pause at the edge of the river listen to its rhythms languid…
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Photo by Terry Kearney / Flickr There should have been roses . . . Instead, I clutched red and white carnations my aunt bought from a street vendor outside the courthouse. I should have…
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Daniela Yohannes (UK/Guadeloupe), Black Oil (2019), Acrylic on Linen, 116 X 89 CM / Courtesy of Addis Fine Art What we do not say to each other bites speech into ultimatums a guillotine ch…
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A detail from Dereje Demissie (Ethiopia), Psychscape (2009) In Krio, there is a word with Atlantic Ocean spray still swirling in its gut: Freeborn. I heard this word often after dinner was…
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Dereje Demissie (Ethiopia), Psychscape (2009) On my mind daily with the insistence of a metronome is that thin granular layer, rich humus, spare humility, black earth daily lifted and blow…
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Detail from Girma Berta (ETHIOPIA), Moving Shadows XI (2016), digital archival print, 40 x 40 cm / Courtesy of Addis Fine Art after Inji Efflatoun Sarah Hegazi Malak al-Kashef …
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Girma Berta, Moving Shadows XI (2016), digital archival print, 40 x 40 cm / Courtesy of Addis Fine Art after “A Walk through Intimacy,” by Theresah Ankomah Under the auspices of the…
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Daniela Yohannes (UK/Guadeloupe), Subterranean (2019), acrylic on linen, 116 x 89 cm / Courtesy of Addis Fine Art there are flowers you can’t touch outside someone’s house at night, a mothe…
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Merikokeb Berhanu (Ethiopia/US), Untitled XLVII (2020), acrylic on canvas, 60 x 48 in. / Courtesy of Addis Fine Art You always serve coitus with a side of cheese silkworms squirming in the…
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Dereje Demissie (Ethiopia), Psychscape (2009) This poem is written in response to a news story in Spotlight (South Africa), headlined as follows: “What the Charlotte Maxeke fire…
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Ch’ol embroidered shirts / Photo by Diana Laura Montejo I Am the Alphabet They say, grass born in the forest, my body holds the freshness of mountains. I have absorbed the garden’s blossoming, my…